Человек в трёх состояниях движения

Промпт

Use the uploaded face photo as the ONLY identity reference. Preserve the exact facial identity, facial proportions, age, skin tone, natural skin texture, hairstyle, hair length, facial features and overall appearance exactly as in the reference. Strict identity preservation. No face drift. No face mixing. No beautification. No reshaping. Keep the exact same person. A surreal conceptual full-body photo against a plain seamless light grey-white studio background. On the right side of the frame he sits perfectly sharp and still in side profile on a simple black folding chair, leaning slightly back, hands resting in his lap, calm composed expression, wearing a dark ribbed knit beanie, glasses, a loose dark overshirt jacket, wide baggy dark trousers and deep red sneakers. To the left of him, two more identical copies of the same man are caught walking away in a line across the frame — the same outfit, beanie and red sneakers — but both walking figures are heavily motion-blurred, smeared with soft long movement blur as if leaving the frame mid-stride, each one blurrier than the last the further it is from the seated figure, ghost-like echoes of him departing. Only the seated version of him is crisp and in focus, the walking duplicates dissolving into motion. His skin looks completely natural and true to life, with real visible texture, pores and fine detail, matte, never plastic, never airbrushed. COLOR GRADE: cool desaturated palette with a subtle grey-green tint across the image, the light background carrying a faint cold greyish cast, muted dark clothing tones with the deep red sneakers as the only color accent repeated on all three figures. Soft even studio light, gentle grounded shadows beneath the figures, low realistic contrast, fine analog grain over the entire frame, high-detail surreal editorial atmosphere, quiet and conceptual, photorealistic. Full body in frame with generous negative space above, crisp focus on the seated figure only, square 1:1 framing. Everything shares the same soft light, tone and grain like one single photograph.

Модель

nano-banana-2