Портрет у озера в горах

Промпт

Using the uploaded face photo as the ONLY identity reference, keep him looking like himself naturally, a man with the exact same face. Preserve the exact facial identity, facial proportions, skin tone, natural skin texture, hairstyle and facial features exactly as in the reference. Strict identity preservation. No face drift. No face mixing. No beautification. No reshaping. Hair styled sleekly back and neat. A casual candid phone snapshot, at eye level with a tiny unposed tilt, framed from the thighs up with him dominant and centred. He stands leaning back casually against the side of a black sports car with both hands tucked into his trouser pockets, his head turned slightly to the side and his chin a touch down, looking just off the lens with a calm serious expression rather than straight into it, caught mid-moment rather than posing, effortless candid energy. He wears an oversized grey ribbed wool zip-up knit cardigan with a high funnel collar zipped partway, thick chunky knit with dropped shoulders, dark trousers, lean build, understated moody look. Behind him a dramatic wild landscape: a dark rugged mountain rising across a still grey lake, green and brown scrub on the slopes, a quiet shore road, another parked car to the side, heavy overcast clouds. A faint cool mist and damp air hang over the scene after rain, softly settling around him and physically wrapping the light around his face so he sits inside the same haze as the mountains. His skin looks completely natural and true to life, with real visible pores, fine skin texture, natural tone variation and small imperfections, matte and raw with no smoothing and no retouching, never plastic, never airbrushed, never waxy, a soft directional sheen where the flat daylight glances off his skin, his skin tone sitting naturally within the scene's lighting and never standing out brighter than the scene. The single light source is the soft flat overcast daylight of the sky, falling identically on his face, the knit cardigan, the car and the mountains, the same cool grey light on everything, no separate light on him, no studio light, no fill, no rim light. Muted refined palette, cool-neutral but not grey, overcast flat daylight, moody European mountain atmosphere, gently desaturated, low soft contrast, no yellow cast, not sepia. Shot on a recent iPhone rear camera in an ordinary everyday moment, natural handheld framing with a slightly off-centre casual composition, authentic smartphone optics with mild sensor noise and fine natural grain, subtle imperfect focus, not overly sharp, the same grain sitting over his face and the whole frame equally, photorealistic like a real photo taken on a phone, no AI look, no beauty filter, no HDR, no over-sharpening, no plastic skin, vertical 9:16 framing. His face, skin, the grey knit cardigan, the black car, the lake and the mountains all share exactly the same soft overcast daylight, misty tone and unified grain so everything reads as one single natural photograph, nothing pasted or separately lit, the face belonging to the scene and lit by the same sky as everything else.

Модель

nano-banana-2